 |
How does Pilates differ from other exercise methods?
This system employs a complete body/mind conditioning
technique. One uses the entire neuro-muscular system
to create balance and symmetry in the body.
It utilizes finely crafted apparatus.
Tensioned springs provide progressive resistance.
Form, not repetition or weight, is stressed.
This lengthens muscle tissue without the bulking
associated with traditional gym equipment.
What results can be expected?
One gains body control, strength, increased flexibility
and tone within a short period of time. It also enhances
the performance of daily activities including the demands
of dance and sports. It energizes before or after a long day
at work.
Can it alleviate chronic pain?
Yes, by re-educating the muscle motor patterns,
muscle imbalances are corrected. It is effective in rehabilitating
chronic back, neck, hip, and lower extremity problems.
|
|
 |
Who can use this?
All ages from teens to senior citizens benefit.
This method can be used during pregnancy and post-partum. It is also good for
all types of injuries and joint limitation. Peter Vaillancourt has had extensive
training in dance, sports and body therapy management.
He has synthesized both theoretical and practical knowledge from 25 years of
professional experience in these fields, including work with Carolo Trier and
Marika Molnar, PT. He has lectured at universities, taught members of New York
City Ballet,
American Ballet Theater, Joffrey Ballet, the Royal Ballet and the Kirov. He
is also a state licensed massage therapist. Over the years he has seen positive
changes in the physical and mental well-being of individuals using this method
of body conditioning. |
|
Stretching the Point (Article written by Bobbi Queen for
Womens' Wear Daily)
NEW YORK - Not everyone who studies Pilaties looks or dresses
like the young women here. But then,
these are dancers, not models. And whether they wear their own clothes
or those supplied by designers,
this is pretty much how they look every Saturday morning, working out
at Peter Vaillancourt's studio on
West 60th Street. They even did their own hair and makeup as some had
performances afterwards.
Here, children and adults, ranging from 10 to 90 plus, come
to stretch, strengthen and, very often, repair
their bodies. Sure, there are the celebrity clients, but everyone gets
the same level of care, attention,
political chatter and silly jokes from Vaillancourt. Nothing in either
his attire or those of the other instructors
smacks of the typical New York star indulgence. This is, undoubtedly,
one reason that luminaries from the
New York City Ballet, American Ballet Theatre and Alvin Alley companies
are loyal followers, as well as others
such as photographer Deborah Turbeville, actress Claire Bloom and television's
Ed Bradley. "Peter has
increased my strength, flexibility and posture," says Bradley, "even
improved my skiing."
There is nothing trendy or fancy about the studio or location,
but many clients joke that an hour here is like
a visit to Lourdes. Vaillancourt, a former dancer himself, has spent
23 years training in sports, dance and
body therapy management, acquiring both theoretical and practical knowledge.
He finds individualized ways
to address, counter and manage problems that can occur in the body. When
something is outside his scope,
he readily refers clients to physical therapists or physicians.
At the studio, teachers instruct three to six students in a
series of varying - mercifully- movements. Tensioned
springs provide progressive resistance in which form, not repetition
or weight is emphasized. Vaillancourt,
a licensed massage therapist, wants to prevent injuries by aligning the
body properly and isolating muscle
groups to maximize control, strength and flexibility. Muscle tissue is
lengthened without adding bulk. Some of
it is aerobic, but that isn't the main attraction of this particular
approach. Control, flexibility, strength and tone
are all basic goals.
And everyone seems to trust the Vaillancourt skills. Dancer Alexandra
Hirsch, a regular, explains, "I feel
comfortable with Peter," who corrected her knee injury. For years,
there have been battles and controversy
over the unlicensed use of the Pilates name in gyms by exercise trainers
who refer to their classes as the
real thing. Vaillancourt Studio's brochure never even uses the "P" word;
the students do. While Vaillancourt
has been trained In the technique, has the appropriate equipment and
teaches many of the traditional
movements, he has no formal affiliation with the company. This, however,
doesn't seem to to stop the ever
increasing number of parents who want their children to study here or
the adults angling for time in an
already-packed six-day week.
|